Normally when I post something on a Sunday, it’s a music clip. And normally it’s my post.
Today will be another music post, but with a difference. This one wasn’t written by me. For the first time in the history of this blog, I’m posting a guest post. Hooray! The text below was written by the Polski Blog’s fan and reader, Matt Lindley, who has something special for all you (Polish) jazz lovers. Matt, over to you….
Coming to London later this month will be a programme of Polish experimental and jazz music as JEMP Festival hits town. Running from 25th November to 5th December, Jazz and Experimental Music from Poland is a six-day series of concerts at various venues around the city, including Café Oto and Vortex Jazz Club in East London. From Free Jazz to Electroacoustic Improv to Noise, we take a look at three of the JEMP highlights.
Mikołaj Trzaska / Mark Sanders Duo and Mikrokolektyw
25th November 2013 at Vortex Jazz Club, Dalston
Formed out of the ashes of Robotobibok, Mikrokolektyw are a stripped-down duo comprising Kuba Suchar (drums) and Artur Majewski (trumpet). Both members also contribute analogue synth to the mix. Influences from Chicago’s jazz and post rock scene of the 90s are certainly evident, but Mikrokolektyw’s forward-thinking drift is entirely their own. They will be performing music from their new album Absent Minded, out now on Delmark.
Later in the evening, legendary saxophonist Mikołaj Trzaska and drummer Mark Sanders will take to the stage for a special one-off collaboration. Trzaska is best known as a founding member of Polish jazz group Miłość (see below) and has gone on to collaborate with Peter Brötzmann, Joe McPhee, Ken Vandermark and others. London-based Sanders is equally well-travelled and known for his diverse and constantly creative drumming.
Piotr Kurek & Andie Brown and Piętnastka
27th November 2013 at OTO Project Space, Dalston
Piętnastka’s (AKA Piotr Kurek’s) massively psychedelic Dalia tape was one of the music highlights of 2011. Kurek’s music weaves synth and organ tones to create fairytale soundworlds inhabited by the ghosts of Eastern European folk music. Hearing him perform live with percussionist Hubert Zemler will be one of the high points of the festival.
Later in the evening, Kurek will be joined by London musician Andie Brown for another JEMP exclusive. Brown has collaborated with Cindytalk and operates under the solo moniker These Feathers Have Plumes. It will be interesting to hear how her atmospheric ambient drone textures merge with Kurek’s keyboard reveries.
Miłość (Love) Film Screening
30th November 2013 at the Rio Cinema, Dalston
Coming to Dalston’s Rio Cinema will be a special one-off screening of Filip Dzierżawski’s documentary about Polish jazz group Miłość. Founded in 1988 by Tymon Tymański, Miłość were the first Polish band to integrate elements of punk rock, folk and techno into their sound, creating a new style of music known as ‘jass’.
Dzierżawski’s film tells the dramatic story of Miłość ten years after the band broke up, as they prepare for a reunion tour. Will the magic still be there? Expect new interviews, archive material and concert footage as the band discuss their early days and the legacy of their jass sound. The film will be accompanied by a Q&A session.
The third edition of JEMP looks set to be the best yet, so we hope you can make it down to some shows!
Guest post by Matt Lindley
When I say fresh here, I mean new – new to me at least. I’ve discovered Michał by accident when someone posted a link to this lovely video.
Michał talks about his music (in Polish, but with English subtitles) and the clip is illustrated with his fantastic acoustic jazz.
According to his site, his debut album, The Worlds, “was considered by music journalists to be an exceptional debut”.
Now feast your eyes on this great video by Patryk Kizny and enjoy Michał’s music.
Perfect for a hot summer evening.
The American director gave his first ever concert in Warsaw on Sunday night. The filmmaker, playing the clarinet, was accompanied by his New Orleans Jazz Band. Three thousand people gave them a standing ovation.
He’d played Budapest the night before. I was surprised to see how many outlets have covered the story online. (OK, it’s a quiet period for news, but still…)
Pity no one has actually reviewed the gig in English. Let me know if you’ve seen it and want to write a quick review here.